Watch Treasures From American Film Archives - Encore Edition Online

February 8th, 2010 by cindy9940357
Watch Treasures From American Film Archives - Encore Edition Online. Watch Treasures From American Film Archives - Encore Edition Online.

Movie Title: Treasures From American Film Archives - Encore Edition
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The majority of this deluxe boxed place is devoted to early restful films. I do not judge myself a particular fan of mute films, and yet most of these I found to be amazing. While the four feature films were glowing, I especially enjoyed the shorts, which commonly assume everyday life at the turn of the century. These silents have a spirit of joy and excitement, and a friendly sincerity, that I’ve never seen in film before. With only a few exceptions, these silents are in an friendly dwelling of preservation, often offering an amazingly certain window on the past. The main exception is an early version of “Snow White,” the one that inspired the illustrious Disney version. All copies were once believed lost; however, a below-average quality but tranquil quite watchable print was found only a few years ago. The musical accompaniment, custom produced for these DVDs, adds immeasurably to the experience. These silents are highly recommended to anyone involved in the history of film or history in general. I am unaware of any other source of restful shorts on DVD, certainly not of this quality or extent.

Besides the silents, the residence also offers several other categories of films, including those produced for the government, commercial and promotional films, home movies, and art shorts. These are generally oldish but not antique, none more unusual than 1985. The offerings in the last three categories are generally primitive. The art shorts, especially, with their emphasis on the abstract and new, had limited appeal for me. Even though many of them are relatively unique, they have been rarely shown, and with suitable reason. The spacious surprise is the quality of the government films, especially “The Battle of San Pietro,” directed by John Huston, a good work of art, and one of the finest pieces in the situation. Even “We Work Again,” with its dull script intended to convince blacks of the benefits of government assistance during the depression, features fine cinematography, unfortunately uncredited, and ends with four minutes from a noted Orson Welle’s adaptation of a Shakespeare play, of which no other footage exists.

Each disc is arranged in roughly chronological order, taking viewers on four trips through time, from the 1890’s to the unusual age. The position includes a 130 page booklet describing each film; these descriptions also appear on the DVDs themselves. The menus on the DVDs are professional, shapely, and easy-to-navigate. The transfers to DVD are top-notch, with no digital artifacts that I could search for.

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This site could easily have been dry and academic. Instead, at its best, it’s extremely arresting, piquant, and expressive of the past. The commentary could have condemned the past in light of today’s viewpoints and ideologies; instead, with unexpectedly rare exceptions, its glowing and informative. This region should have big appeal for those willing to adjust to the limitations of early film technology. Overall, I cannot recommend this area highly enough.

I had high hopes for this state, and it actually surpassed my expectations. I worked in a film archive for 10 years and have seen a lot of movies, but quite a few of the items in this location were novel to me; others were frail favorites that have never been widely available before now, like Joseph Cornell’s handsome and goofy Rose Hobart. Sometimes the attempt to characterize the broad range of material preserved in American archives starts to feel a limited strained, but the noteworthy freshness of so many of these films–especially the more ephemeral shorts–overcomes any sense of historical tokenism. The accompanying book is far profitable to the average DVD liner notes, providing scholarly and informative program notes by Scott Simmon along with background information on the preservation of each film & explanations of the musical accompaniment for the soundless titles. Overall I found this place not only praiseworthy but highly entertaining–only the “about the archives” essays narrated by Laurence Fishburne are tinged with institutional dullness. Occupy the place now–if it goes out of print (and I dismay this is fair the kind of “specialty” item that won’t discontinue in print very long), you’ll regret not owning it.
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Stream Beast Wars - Transformers Movie Online

February 7th, 2010 by cindy9940357
Stream Beast Wars - Transformers Movie Online. Stream Beast Wars - Transformers Movie Online.

Movie Title: Beast Wars - Transformers
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I first caught the Beast Wars in syndication succor in ‘99. As a 25 year stale at the time and remembering the G1 Transformer series of the ’80s, I couldn’t aid but be keen in this unusual CGI version. But I noticed one thing was different. The exotic residence (prehistoric Earth) and the brutality of the fights between the Maximals and the Predacons. Another thing was the awesome CGI special effects that were extinct to point to the fights and other elements of the expose. No more were the explosions the hand drawn red and orange clouds of opaqueness. These were some really honest looking effects. And while using energy weapons, it made it all the more steady looking.

Now then, the first season wasn’t considered to be the best of the 3 season series, but there were some really stout episodes in that one. This DVD will have six episodes on it including:

#7 Fallen Comrades

Optimus takes a terrible hit in a fight with the Predacons, and has to heal in the CR Chamber, while a stasis pod crashes in the mountains, leaving Dinobot to acquire care of Optimus while the others go to collect the Maximal protoform. The Predacons are also on top of the stasis pod, and hope to reprogram the protoform inside into a Predacon. This episode sees the emergence of the two Maximals, Airazor and Tigertron.

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#8 Double Jeapordy

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The Maximals are ambushed inside a box canyon, and lose a stasis pod to the Predacons. When Optimus gets attend to ghastly, he accuses a Maximal of setting them up, and Rattrap is the most likely suspect, so he sends the exiguous Maximal on a mission in Predacon territory. Terrorsaur catches Rattrap, and the mouse pledges his loyalty to the Predacons. This episode sees the emergence of the Predacon Blackarachnia.

#9 The Probe

Cybertron sends a probe out to search for the Maximal explorers who have gone missing since their encounter with Megatron. The probe enters Earth’s airspace, and if Rhinox can produce contact with it in time, everyone’s going home, but Megatron wants to construct positive the war ends when he says so.

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#10 Gorilla Warfare

Scorponok hits Optimus with a special Cyber-bee, and it turns him into a war-hungry monster. He fights against his friends, and travels to inch the Predacons apart single-handedly. Cheetor doesn’t want to seek Optimus win harm, so he makes a deal with Megatron in order to fetch the anti-virus.

#11 A Better Mouse Trap

The Predacons area up Blackarachnia’s fresh weapon, so they can crash into the Maximal disagreeable. Meanwhile, inside the improper, Rhinox creates a unusual security program called Sentinel for the ship, but Rattrap and Dinobot’s antics turns Sentinel against the Maximals, leaving escaping the ship as their only option, but Rattrap is certain to execute up for his mistake, and stays gradual. This one was one of my favorites.

#12 Victory

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The Maximals install a eye cable in the Predacon faulty, and they explore as his forces turn against him, and hit some Energon, blowing the unsuitable up. The Maximals remove their opportunity, and depart to the Predacon nasty to engage spare parts, and consume them to net their ship to wing once more. Every Maximal is raring to go, except Dinobot, who decides to halt slow.

So inquire of 2 more discs to complete Season 1 and then 2 each for Seasons 2 & 3.

The above synopsises were taken from Piccolo’s Site of inspiring prove information.

Beast Wars is, in my understanding, the greatest CG cartoon ever created for a children’s audiance without making the audiance feel childish. These episodes are considerable greater than the last volume and are some of the best episodes in season 1.

Fallen Comrades (A) : The first Maximal stasus pod reaches the planets surface and now its a urge to the pod for a recent ally. I like this episode because it brings the first modern character to the present and also has some capable action throughout the episode.

Double Jeopardy (B+) : After the Predicons claim one of the staus pods and convert the Maximal into a Predicon, the Maximals suspect Ratrap of being a Predicon stare. When he’s sent out on a solo mission, he is captured by Terrasaur and Terrasaur uses his recent accomplishments to recall tubby state of the Predicons. This isn’t a abominable episode, but this process does rep repeated a couple of times so it loses it’s originality over time in the series.

The Probe (B) : A communication probe from Cybertron comes into orbit over the planet. The Maximals must now risk setting up a sattelite in Predicon territory in order to contact Cybertron. But Megatron has other plans. Meanwhile, Tarancalious tests out his recent invention that prevents the Maximals from transforming.

Gorilla Warefare (A) : While out on patrol, Optimus is hit by one of Scorponocs cyberbees carrying a deadly virus that will cessation Optimus if the anti-virus is not injected into him soon. I liked this episode a lot because Optimus goes berserk and storms the Predicon’s contaminated.

A Better Mousetrap (B+) : The Predicons are trying to employ a fresh intention that will let them enter into the Maximal’s obnoxious. However, while tranquil unaware of this threat, the Maximals setup a novel security system. The system, however, goes insane when Ratrap and Dinobot crash the controls. Now, the original system recognizes the Maximals as intruders so Ratrap takes on the job of shutting it down.

Victory (A-) : When tensions rise at the Predicon’s bad, it causes an Energon explosion. The Maximals, who now beleive the Predicons have lost the Beast Wars, rep the parts they need to catch their ship up and running to Cybertron. Dinobot decides to cease leisurely, but discovers something that causes a speed for time to earn on the ship.

As if the episodes weren’t favorable enough, there are actually some extras on this disc. The disc features a size comparison chart, spaceship CGI test and 360 degree 3-D test of almost all the transformers in the Beast Wars series. Inluding some from seasons 2 and 3.

Overall, Rhino did a ample job with bringing Beast Wars to DVD and I peek forward to the release of more episodes coming soon.
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Buy The Cool School Online.

February 7th, 2010 by cindy9940357
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Watch Video Here: http://www.amazon.com/review/RPIM2YG262UKP

I was familiar with the artists and some of the work. I didn’t know the bigger characterize, however. This doc is informative, moving, and piquant.
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Streaming Comedy Kings 50 Movie Pack Online

February 6th, 2010 by cindy9940357
Streaming Comedy Kings 50 Movie Pack Online. Streaming Comedy Kings 50 Movie Pack Online.

Movie Title: Comedy Kings 50 Movie Pack
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Comedy Kings 50 Movie Pack is available for streaming or downloading.

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The COMEDY KINGS 50 MOVIE PACK includes 45 titles not previously available on MILL CREEK ENTERTAINMENT box sets. Most of these films were made in the 1930s and ’40s; a few are from the 50s, the newest was released in 1962. They’re all public domain comedies from such favorites as the Slow Extinguish Kids, Charlie Chaplin, Betty Hutton, William Powell and Walter Brennan. Supporting players include Edgar Kennedy, Adolphe Menjou, Margaret Hamilton, Buster Keaton and William Demarest. COMEDY KINGS a stunning collection of lesser-known vintage movies that are filled with hours of laughter, silliness and high jinks.

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The 1 to 10 rep for this DVD box status was calculated from polling data maintained by a film resource website. Forty-three titles here currently average a rating of: 6.2.

The following alphabetized program list includes individual poll numbers for each film, as well as years of release and the most prominent actors.

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(5.7) The Admiral Was A Lady (1950) - Edmund O’Brien/Wanda Hendrix/Rudy Vallee

(5.4) Affairs Of Cappy Ricks (1937) - Walter Brennan/Mary Brian/Lyle Talbot

(5.2) All Over Town (1937) - Olsen & Johnson/Franklin Pangborn/James Finlayson

(6.5) The Animal Kingdom (1932) - Ann Harding/Leslie Howard/Myrna Loy

(5.9) Behave Yourself! (1951) - Farley Granger/Shelley Winters/William Demarest

(6.0) Boys Of The City (1940) - The Humdrum Ruin Kids

(6.6) A Bride For Henry (1937) - Anne Nagel/Warren Hull/Henry Mollison

(6.2) Colonel Effingham’s Raid (1946) - Charles Coburn/Joan Bennett/Donald Meek (in abet)

(5.9) Country Gentleman (1936) - Olsen & Johnson/Joyce Compton/Ray Corrigan (in encourage)

(6.3) Elope to Paradise (1939) - Bobby Breen/Kent Taylor/Marla Shelton

(??? ) Erroneous Pretenses (1935) - Irene Ware/Sidney Blackmer/Betty Compson

(6.6) Flying Wild (1941) - The Dreary Waste Kids

(5.5) Freckles Comes Home (1942) - Johnny Downs/Gale Storm/Mantan Moreland

(5.9) The Gang’s All Here (1941) - Frankie Darro/Marcia Mae Jones/Mantan Moreland

(??? ) Goodbye Savor (1933) - Charles Ruggles/Verree Teasdale/Sidney Blackmer

(5.2) The Groom Wore Spurs (1951) - Ginger Rogers/Jack Carson/Joan Davis

(5.4) Hay Foot (1942) - William Tracy/James Gleason/Noah Beery Jr.

(6.0) Heading For Heaven (1947) - Stuart Erwin/Irene Ryan/Milburn Stone

(6.0) Her Celebrated Patient (”Bedside Manner”) (1945) - John Carroll/Ruth Hussey/Charles Ruggles

(5.3) Here Comes Inconvenience (1948) - William Tracy/Joe Sawyer/Betty Compson

(6.3) His Double Life (1933) - Roland Young/Lillian Gish/Montagu Love

(5.7) His Private Secretary (1933) - John Wayne/Evelyn Napp/Al St. John

(5.1) Hollywood And Vine (1945) - James Ellison/Wanda McKay/Franklin Pangborn

(7.0) I’m From Arkansas (1944) - Slim Summerville/El Brendel/Al St. John (in serve)

(6.8) The Inspector General (1949) - Danny Kaye/Walter Slezak/Elsa Lanchester/Alan Hale (in abet)

(8.1) The Kid (silent-1921) - Charlie Chaplin/Edna Purviance/Jackie Coogan

(5.1) The Lady Says No (1952) - Joan Caulfield/David Niven/Frances Bavier (in relieve)

(7.3) Life With Father (1947) - William Powell/Irene Dunn/Elizabeth Taylor

(6.1) Lonely Wives (1931) - Edward Everett Horton/Esther Ralston/Laura La Plante

(6.1) Lost Honeymoon (1947) - Franchot Tone/Ann Richards/Tom Conway

(??? ) Meet The Mayor (”A Fool’s Advice”) (1932) - Frank Fay/Ruth Hall/Franklin Pangborn (in succor)

(6.8) The Milky Intention (1936) - Harold Lloyd/Adolphe Menjou/Verree Teasdale

(6.5) Money Means Nothing (1934) - Wallace Ford/Gloria Shea/Edgar Kennedy

(6.8) Never Wave At A WAC (1952) - Rosalind Russell/Paul Douglas/Marie Wilson/Leif Erickson (in back)

(6.4) Niagara Falls (1941) - Marjorie Woodworth/Tom Brown/Zasu Pitts

(7.3) Nothing Sacred (1937) - Carole Lombard/Fredric March/Frank Fay/Margaret Hamilton

(6.7) The Nut Farm (1935) - Wallace Ford/Betty Alden/Florence Roberts

(5.9) Palooka (1934) - Jimmy Durante/Lupe Velez/Stuart Erwin

(5.1) Peck’s Terrible Boy With The Circus (1938) - Tommy Kelly/Ann Gillis/Edgar Kennedy/Spanky McFarland

(6.1) The Perils Of Pauline (1947) - Betty Hutton/John Lund/Billy De Wolfe/William Demarest

(6.8) The Rage of Paris (1938) - Danielle Darrieux/Douglas Fairbanks Jr./Mischa Auer

(6.2) Riding On Air (1937) - Joe E. Brown/Guy Kibbee/Florence Rice

(6.8) Road To Bali (1952) - Bob Hope/Bing Crosby/Dorothy Lamour/Michael (minor role)

(5.7) St. Benny The Dip (1951) - Dick Haymes/Nina Foch/Roland Young/Freddie Bartholomew

(??? ) Swing It, Sailor (1938) - Wallace Ford/Ray Miller/Isabel Jewell

(6.9) Three Husbands (1951) - Eve Arden/Ruth Warrick/Howard Da Silva/Billie Burke (in assist)

(??? ) Too Many Women (1942) - Neil Hamilton/June Lang/Joyce Compton

(5.8) The Villain Mild Pursued Her (1940) - Billy Gilbert/Anita Louise/Margaret Hamilton/Buster Keaton (in aid)

(??? ) We’re In The Legion Now (1936) - Reginald Denny/Esther Ralston/Vince Barnett

(??? ) When The Girls Buy Over (1962) - Robert Lowery/Marvin Miller/Jackie Coogan

This is a gargantuan state but it’s mistitled - there are plenty of comedy QUEENS on this position, in fact in a number of the films the female star has the main fragment. A what a bunch of droll ladies - Eve Arden, Ginger Rogers, Carole Lombard, Betty Hutton, Irene Ryan, Joan Davis, Rosalind Russell, Lupe Velez, Marie Wilson, ZaSu Pitts, Gale Storm, Helen Broderick, Frances Baiver, Billie Burke, Margaret Hamilton, Constance Collier, etc etc as well as such legendary female stars as Lillian Gish, Irene Dunne, Dorothy Lamour, Myrna Loy, Joan Bennett, Danielle Darrieux, Elizabeth Taylor, Shelley Winters, Laura La Plante, Ann Harding… the list goes on.

Many of these titles are hard to accept, a lot are available as single movies from Alpha but this 50 movie dwelling will probably cost you less than three single Alpha titles and the print quality is usually not of grand contrast.

The most spirited titles in the plot are THE RAGE OF PARIS, a appetizing American screwball film starring French diva Danielle Darrieux, a rare starring film for Eve Arden THREE HUSBANDS, Lillian Gish in one of her few early talkies HIS DOUBLE LIFE, soundless greats Laura La Plante, Esther Ralston, and Patsy Ruth Miller in the extraordinary talkie comedy LONELY WIVES; the incredibly sexy young Myrna Loy vs. liberated Ann Harding in THE ANIMAL KINGDOM, the astounding but amazing teaming of Rosalind Russell and Marie Wilson in NEVER WAVE AT A WAC, plus a bunch of “B” rarities with such underrated talent as Ann Rutherford, Anne Nagel, Joan Caufield, Isabell Jewell, Betty Compson, Anita Louise, Mary Carlisle, Evelyn Knapp, Marjorie Gateson, Joyce Compton, Verree Teasdale, Ruth Hussey, Ruth Warrick, and Mary Brian. There’s also a number of undeniable classic motion pictures such as THE KID, LIFE WITH FATHER, and ROAD TO BALI.

This is a really titanic status but I assume you will agree after watching many of these films the spot was mistitled. These actresses more than contain their absorb against the menfolk.
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The Tales of Hoffmann - Criterion Collection Streaming

February 4th, 2010 by cindy9940357
The Tales of Hoffmann - Criterion Collection Streaming. The Tales of Hoffmann - Criterion Collection Streaming.

Movie Title: The Tales of Hoffmann - Criterion Collection
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The Tales of Hoffmann - Criterion Collection is available for streaming or downloading.

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Normally I don’t post reviews on Amazon for films that aren’t from the quiet era (my specialty) but for this one I’ll perform an exception. As a member of a couple of film societies I’m often asked “What is your well-liked film? “. To which I usually acknowledge that I like many different films each having its possess merits and I can’t really resolve objective one. Yet if I had to prefer one film to a desert island it would be this one, Michael Powell and Emeric Pressburger’s 1951 extravaganza THE TALES OF HOFFMANN. No other film has managed to combine most of my celebrated elements the plot this one has. It has fantasy, classical music, dance, splendid camerawork, editing, and imaginative visuals all blended into a seamless whole. In fact this film is really the first music video as the come by was recorded first and then the movie was shot to fit it afterwards which makes it essentially a still film. This allowed the filmmakers total freedom to do what they wanted from a visual standpoint as cameras and performers could be manuevered without panic of making noise. I assume I can safely say that no other film looks like this one.

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It also doesn’t wound that Jacques Offenbach’s opera on which this is based is one of my accepted classical works (although this version edited by Sir Thomas Beecham is not for opera purists) while E.T.A. Hoffmann is one of my accepted fantasy writers (three of his stories THE SANDMAN, A Unusual YEAR’S EVE ADVENTURE and RATH KRESPEL are dilapidated) . This makes it even more considerable that a single film could do justice to so many of my current likes. The original DVD release from Criterion is up to their usual high standards offering a crystal certain record with genuine sound plus a host of extras including subtitles for all the dialogue and arias which enable you to understand what is going on with the anecdote. I have had this film on VHS for years and have waited patiently for it to advance out on DVD. It had been announced some time ago but it’s colossal to finally have it here at last. While not a film for everyone, if you’re into filmmaking that works on multiple levels and be pleased a wide variety of art and classical music than this is the movie for you. I guarantee that appreciate it or abominate it once seen THE TALES OF HOFFMANN cannot be forgotten and very, very few movies can manufacture that claim.

It is apt that, as other reviewrs have asserted, this may not be “Tales” as Offenbach originally concieved it. A case can be made that the modern 2nd act was originally intended as the final act. (where can you go after loosing and retrieving your soul? ) . And the english translation musty in the film has some awkward phrasing - Crespel to Antonia: “Now did you not command that that you’d not do? “. This said, The film nevertheless stands as a radiant, imaginative interpretation in its contain true.

The unique thunder on VHS states that it restores scenes eliminated prior to its release. This is not the case. (I attended the initial release in Southern California) . The restored scenes are those eliminated from the film for its application to U.S. television release - a exact hatchet job to its last act. As might have been expected it had no home on American TV.

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In addition to making it whole with the initial theatrical presentation color has been substantially improved as compared with the fresh VHS release. This makes it proper to what was seen in comercial release and well worth the stamp of admission.

However, there are tranquil scenes tantalizingly referenced in the video packaging which pain up on the cutting-room floor before comercial release of the film and which do not appear on the VHS video. First is Franz’s aria “Day & Night I Am Always Slaving” and brief exchanges with Crespel which back to effect his deafness (These can be heard on the London LP recording of the sound track, and a unexcited of Massine during this aria appeared in the color program which was sold at the Premier) . Second was the scene in which Nicklaus became Hoffmann’s golden-gilded muse.

Should this film be released on DVD, which it certainly deserves to be, some misfortune should be made to catch these missing pieces so the film can finally be seen as Powell & Pressburger originally intended.
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Watch Star Wars: The Clone Wars Movie Online

February 2nd, 2010 by cindy9940357
Watch Star Wars: The Clone Wars Movie Online. Watch Star Wars: The Clone Wars Movie Online.

Movie Title: Star Wars: The Clone Wars
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Star Wars: The Clone Wars is available for streaming or downloading.

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LUKE: You fought in the clone wars?

BEN: Yes, I was once a Jedi Knight the same as your father.

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LEIA: General Kenobi, years ago you served my father in the clone wars.

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These quotes lit a fire under our curiosity, and it burned for nearly 30 years. Now the excitement and anticipation can be overjoyed by…

…the further adventures of microscopic orphan Annie!

CLONE WARS boasts bright plot dogfights and intense light saber duels. But these things do not construct up for where it fails miserably. Nowhere in this movie do we witness the echoes of the large stories hinted in A Current HOPE. Nowhere do we stare a camaraderie gain between Bail Organa (”years ago you served my father”) and Obi-Wan Kenobi.

Since 20th Century Fox did not release this film (can’t say I blame them), the movie opens with the Warner Brothers logo and without the signature Alfred Newman prelude. There is no written prologue that retreats into the distance of place. The animation is rather wooden. This would have been acceptable had the film been made by a studio with a more minute budget. But it was made by George Lucas who has money coming out of his ears! Financially, there is no reason why THE POLAR Whisper should leer better than CLONE WARS. But even VEGGIE TALES looks better than CLONE WARS.

The situation of CLONE WARS is that the Jedi are summoned to rescue Jabba the Hutt’s kidnapped son. That is the residence of the movie called CLONE WARS. Can someone please allege me as to what that has to do with the Clone Wars?

Jabba junior who inherits the nickname,”Stinky” is worthy more annoying than ewoks and Jar Jar Binks place together. There is even an utterly failed attempt at humor by pointing out that Junior the Hutt made a poopie. (No, I am not making that up.) Which, incidentally, is how we reach at his cute nickname. Jabba the Hutt’s uncle plays a role in the film as well. Ziro the Hutt does nothing to add to the entertainment value of this heap except to construct the viewer wonder whether or not he was based on Truman Capote, for there is an uncanny resemblance.

The music in CLONE WARS almost never sounds like any of the scores detached by John Williams. Sometimes it sounded like a rock band and sometimes like classical Chinese folk music.

I’m sick and tired of people defending ewoks and Jar Jar Binks by saying it’s in there to appeal to the kids. Where have you been the last 30 years? It’s STAR WARS! The name alone has kid-appeal and always has. It has more kid appeal than Fess Parker’s Davy Crockett, for crying out loud. And it had it long before an ewok ever scratched his ear or a Gungan ever ruined a movie. You might as well complain about Sesame Street not having enough kid appeal.

In a word: Stinky.

I’ve been a Star Wars geek since the third grade, and I am now the proud mom of two elementary-aged boys who (like most of their friends, I’m gay to say) also esteem the series. Frankly, I sort of wish Lucas had stopped with the three modern films which I reflect are classic and fantastic. The three newer live-action films left a lot to be desired, I felt, but my boys love them all unprejudiced as distinguished if not more than the veteran Luke/Leia/Han movies I grew up with. With the boys it’s all about the action, and The Clone Wars delivers. We saw the preview to this film in the movie theater, and our whole family of four almost jumped out of our seats. How wintry! A orderly looking cartoon version of the mythical clone wars starring my accepted character, the awesome Obi Wan. Of course, we went out to recognize it on its opening day (along with some other families with Star Wars boys) and the kids adored everything about it. My opinion was that it was neat-o, for obvious, but clearly not made for adults. Let’s be precise, this movie is positioned as the set-up to a fresh cartoon television series, so it basically seems like a slightly long episode of a tv cartoon. But I like the recognize of the series with its shiny interplanetary settings and way-cool battle sequences. And being able to scrutinize Jedi in action is an overdue pleasure. However, questions are raised which are impossible to reply. I, for one, can not record to the character of Anakin as a mentor to a youngling since I know that one day he’s going to cold-bloodedly execute a whole temple bulky of them. My kids even asked me if Anakin is going to ruin his padawan one day. Yikes! But if you’ve got kids in the house or a Star Wars collection to add to, you simply have to purchase this.
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February 1st, 2010 by cindy9940357

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Edison (Carrot Top) is a surfing would-be inventor who makes goofy Rube Goldberg-style gadgets. Here’s a taste: a drinking glass with a forehead heater to prevent brain freeze. They’re all pretty much like that. The chairman of a large corporation (Jack Warden), who had shown interest in Edison’s “ideas,” dies and leaves Edison in charge of his company. Another would-be benefactor (Larry Miller), beaten out of his inheritance by Edison, makes it his evil mission to wrest control of the company from the ne’er-do-well with the shock of silly hair. A thin formula on which to hang some amazingly unfunny gags, all done in a broad cartoon-style, but with no flair. Puts the stupid in Stupid Comedy, then takes out all the comedy. Well, okay, not all. The videotaped will takes the form of a game show, presenting things to be inherited as prizes in the manner of Wheel of Fortune, complete with its own Vanna White. The rest is one lame attempt at a joke after another, with some time taken for Carrot Top to do pale imitations of Jim Carrey, possibly unintentionally. Highlights include Cindy Margolis. –Jim Gay

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Chairman of the Board was gratifying! You have to see the light this movie! A divine performance by Scott ‘Carrot Top’ Thompson & Courtney Thorne-Smith make Chairman of the Board a “must make sure” movie!

The eye-opening cast includes Scott ‘Carrot Top’ Thompson, Courtney Thorne-Smith, Larry Miller, Raqul Welch, Mystro Clark. This cast just make Chairman of the Board the more overwhelming!

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February 1st, 2010 by cindy9940357
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Nathan Fillion is bright as ABC’s modern world notorious author-turned-pseudo-cop Richard Castle. Gradual the veneer of an arrogant celebrity, who seems to have let dozens of best sellers and world acclaim go to his head, Castle is truly a kind-hearted man and a compassionate father. Besides writing, his accepted hobby seems to be irritating Kate Beckett (Stana Katic), the NYPD detective who was in charge of a investigating a string of copy-cat murders modeled after Castle’s absorb cancel mystery books. Since he’s killed off the main character of his last series, Castle needs unique inspiration for his next state of novels, and he finds his muse with the charming but difficult-to-crack detective. The chemistry between Fillion and Katic is fabulous, leaving the audience with more to follow than unbiased the assassinate cases. Unlike most criminal investigation shows, Castle has a heavy focus on humor and the strong development of its characters and their relationships. Not quite a drama and not quite a comedy, this primetime series has elements that appeal to any sensibility. The crooked slay storylines will maintain you guessing for the tubby hour until the conclusion you never expected.

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Bonus material for the DVD includes slow the scenes interviews with the stars, out takes, deleted scenes, and more. Strong first season. I’m greatly looking forward to watching this note thrive and burgeon into big-name set.

CASTLE is one hell of an enthralling portion of light, fluffy cop television. It’s the perfect antidote to those who are wallowing in the murky sewers of cop shows like LAW AND ORDER SVU or CRIMINAL INTENT or the gleaming but shameful THE SHIELD. Creator Andrew Marlowe, perhaps best known as the screenwriter for AIR FORCE ONE, has created a very breezy and incredibly fun cop display that’s significant purpose is to counter the altogether too intense police procedurals that the public seems to inhale like cigarette smoke (you know it’s not proper for you, but you can’t wait on it) . He’s also added the perfect actor for a note like this: Nathan Fillion. Many people weren’t familiar with Fillion’s work until he became a cast member of the horrifically bad DESPERATE HOUSEWIVES, but before that, he was a key player in what’s known as The Whedonverse, starring in the all-too shortlived FIREFLY and also guest-starring in the final season of BUFFY THE VAMPIRE SLAYER. He was also featured in one of Whedon’s more unique and quick-witted creations, DR. HORRIBLE’S SING-ALONG BLOG, where he wonderfully plays a shallow, over-confident superhero. He also appeared in another VERY shortlived Fox television display called DRIVE, which was gash down before it could approach its potential. He’s been featured in films like the FIREFLY sorta-sequel SERENITY, a amazing indie splattergore comedy called Plod, and some gloomy direct-to-DVD fare like WATER’S EDGE and WHITE NOISE 2: THE LIGHT. But as he proved with FIREFLY, he has more than enough talent and charisma to carry a reveal on his bear if important (even though it wasn’t primary with how colossal FIREFLY was) .

And that’s very mighty the case with CASTLE. As mystery writer Richard Castle, this is his point to. Despite some strong supporting performances by actors like Susan Sullivan, who plays his flamboyant, vibrant, and at times, annoying mother, and a sometimes over-her-head Stana Katic as his professional and personal foil, NYPD Detective Kate Beckett, this note and everything large about it is planted rightly and firmly on the charm and talent of Fillion.

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The display is very noteworthy in the vein of a program like MOONLIGHTING, pitting the goofy yet irrestistably charming lothario against the by-the-book, stalwart, luminous and sassy and undeniably sexy-but-sexless woman as the two of them secure into one wild adventure after another. The thing about this point to that gives it perhaps an even stronger score than a expose of this type should is that it has a specific “mythology” arc that will carry it for at least another season; namely the unsolved slay of Beckett’s mother, and Castle’s determination to solve it, even if it means that he will lose a friend and potential care for interest in Beckett.

So I say bring on Season Two, and continue the tone that the expose has given us, and don’t let it conform to what the “hitmakers” leer trending with the too-upsetting cop shows. Support it easy breezy. And hopefully the note will accumulate the audience it deserves, and Fillion will come by more of the opportunities he deserves.
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Classical Baby: The Poetry Show Review At Amazon.

January 30th, 2010 by cindy9940357
Classical Baby: The Poetry Show Review At Amazon.. Classical Baby: The Poetry Show Review At Amazon..

Product: Classical Baby: The Poetry Show
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My son is two-years-old and he is not permitted to gawk television. (I am a psychologist and have done research as to the correlation of ADHD and television viewing) . However, I discovered The Poetry Indicate on HBO and recorded it for my son. He absolutely loves it. He is now able to completely recite the Owl and the Pussycat and will recite some tiny Shakespeare. The children interviewed in this DVD are so sweet and cerebral. It truly inspires a parent to introduce their children to the arts at a young age. This DVD has quality animations, astounding celebrity readings of classic poems and is an overall well-done part. I would recommend this to anyone. I bear it spans children of all ages and captures the attention and interest of adults alike.

As a fan of Classical Baby products, I horrified that “Poetry” might be too advanced for my toddler. Nope. She adores it. Additionally, she re-enacts the scene on the dvd mask — she lays on her stomach and ‘reads’ thick books while quoting the poetry to herself.

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“Poetry” takes a difficult subject and brings it to toddler level, without watering it down. The segments are interspersed with diminutive children who elaborate the poems and account for how poetry works. The animation exceeds industry standards. As an adult, I’ve never liked poetry, but now I’m fascinated by it. This dvd is phenomenal for both toddlers and adults. I highly recommend “Classical Baby: Poetry”.

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Roman Holiday Review At Amazon.

January 27th, 2010 by cindy9940357
Roman Holiday Review At Amazon.. Roman Holiday Review At Amazon..

Product: Roman Holiday
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This was Audrey Hepburn’s debut in a starring role. She was 24-years-old and had appeared in two or three other movies but fair in bit parts. Here she plays a reigning European princess visiting Rome who would like an race from her daily regime of official duties, thus the title and theme of the movie, a Roman holiday.

Gregory Peck plays an American newspaper reporter living in the Eternal City. We first survey him playing poker with his cronies, and losing. His relative “poverty” and Princess Ann’s extraordinary wealth and area demonstrate a formidable barrier to their ever finding just worship and marital happiness. Fraction of the fun of the script is in seeing how this will play out and how their differences are resolved in the slay. I will give you a little hint: very carefully!

The script comes from a record by Dalton Trumbo who is perhaps best known as the author of the anti-war unique, Johnny Got His Gun. Trumbo was one of the “Hollywood Ten” who were blacklisted from working in the industry during the excesses of the McCarthy era. He went to Mexico and continued working on film scripts but under assumed names or had his scripts presented by “fronts.” In this case Ian McLellan Hunter fronted for Trumbo and won an Academy Award for the myth. Later the Academy awarded Trumbo a posthumous Oscar for his work.

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Long time Hollywood studio director William Wyler directed the film entirely on spot in Rome. He has a formidable list of credits going well succor into the still film era including such outstanding films as Wuthering Heights (1939), The Letter (1940), The Small Foxes (1941), etc. His determined directorial style and his attention to detail work well here. The sets in Rome are charming, especially Peck’s bachelor apartment. The bit players, especially Peck’s landlord are first-rate and the events are dreamy in impartial the method a romantic meeting in Rome ought to be. Wyler is especially effective in presenting Audrey Hepburn in the most flattering light and getting the audience to identify with her.

Gregory Peck’s character should be a bit of an adventurous rake who finds that like is more indispensable than money or fame, but it is impossible for Peck to play a morally compromised character, and so even as he appears to be using Princess Ann for his fill ends, his behavior is always proper. I was somewhat amused to view that at all times Peck appears wearing a tie! Eddie Albert plays Peck’s friend, a photographer/artist. It is inviting to impress how Hollywood’s perception of the paparazzi has changed over the years. Here blood-sucking, intrusive greed does not exist. Instead we have worthy self-sacrifice!

I have seen most of Miss Hepburn’s movies and I can say that she was never more tantalizing than she is here. She is radiant and cute at the same time, charming and mischievous, sweet, regal and very winning. In a sense she started at the top with this film, garnering her only Oscar as Best Actress in 1953; but as her fans know she never came down off that pedestal. Even playing terrible Eliza Doolittle in My Fine Lady (1964), there was never any doubt about the quality of her style and character.

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This is the most romantic film I have ever seen, perhaps partly because Miss Hepburn is so improbable, but also because the script in a sense turns the usual woman’s romantic fantasy upside down. Instead of the woman finding that the man she is in cherish with has fantastic wealth and station, it is the other plan around!

The ending manages to be realistic yet romantic. There is a hint of something almost spiritual beyond what happens. So convincing are Hepburn and Peck that one can almost have the record is true; and indeed I am obvious that Trumbo lifted the essentials of the position from some conventional sage.

I have a weakness for movies about unrequited savor, or fancy that goes on forever, or esteem that is caught at some perfect moment and lives eternally in that moment. Roman Holiday is one of those approach perfect movies that plays beautifully upon one of these themes.

ROMAN HOLIDAY should appeal to everyone who loves a grand romance, and this one is a ample one. The rest us of will be well advise with the splendor of Rome and the chance to search for the distinguished Audrey Hepburn in her debut movie. In other words, ROMAN HOLIDAY has something for every palate.

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The dwelling? Princess Ann (we’re never quite definite which country she’s princess of) is enduring a grueling tour of European nations. Weary to death of the royal treatment, one night Ann escapes into the Roman night. Unfortunately for her she had a while earlier been given an injection to assist her sleep. The drug takes accomplish while she’s out and about, and reporter Joe Bradley (Gregory Peck) discovers her asleep on a street bench. Believing she’s inebriated, and being a gentleman, he tries to explain her safely to her home. That idea fails and, being a gentleman, Bradley arranges for the young stranger (he doesn’t learn she’s the missing princess until the next scene) to sleep on the sofa in his microscopic, one-room apartment.

Cary Grant was originally offered the portion of Joe Bradley and he turned it down. One of the dvd’s specials tells us he refused the role because he didn’t want to play second fiddle to an ingenue. Maybe so. It’s tempting to resolve, on the basis of this scene, that Peck was woefully miscast. Ann, nearly asleep on her feet, asks Bradley “Will you assist me undress? ” A natural enough inquire coming from royalty, I guess. Bradley fumbles around with her neck scarf, unties it, hands it to her and says “You can handle the rest.”

Peck plays the scene for a smile. Grant would have made it one of the highlights of the movie. After savoring the opportunity for the audience’s delight he would have removed the tie and given the camera a posthaste peer, as if to say “Listen here, I know this is a cliched, droll spot. But doesn’t this observe like fun. Don’t we obtain a shapely couple? ” Grant was a supple pagan god who drank more than once from the well of hedonism, and he was always careful to bring the audience along for the ample times. Peck was an Old-fashioned Testament prophet, a dinky too stern and stiff to give himself over to pleasure.

What Peck brings to the role is authority and a pleasing arm for Hepburn to rest on. Grant would have distracted us, and ROMAN HOLIDAY is best when our attention is focused squarely on Audrey Hepburn. She delivers a tour de force performance, and you can understand the excitement she generated even after a half century.

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The specials include the documentary “Remembering ROMAN HOLIDAY”, which surprised me with all the people who were keen and dropped out of the production of the movie. “Edith Head: The Paramount Years” is a short biography of the celebrated and talented fashion designer. “Restoring ROMAN HOLIDAY” shows us a number of before and after shots - this is a VERY tidy print. There is also a trio of theatrical trailers and a stills photo gallery.
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